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She incor- porates these forms into her professional creative process, often si- multaneously expressing ideas visually, in words, and through music. Her music is championed and recorded by today’s most prominent classical performers including violinists Gidon Kremer, Leonidas Ka- vakos, Daniel Hope, Hilary Hahn, Vadim Gluzman, Vadim Repin, Julian Rachlin cellists Alisa Weilerstein, Gautier Capuçon, Alban Gerhardt, David Finckel violists Kim Kashkashian, Nobuko Imai, and Lawrence Power, and many others.Īuerbach is equally prolific in literature and the visual arts. 9 “Danksagung” was premiered by the Artemis Quartet as a commission of Leipzig’s Gewandhaus, London’s Wig- more Hall London, Vienna’s Konzerthaus, New York’s Carnegie Hall, and Tonhalle Zürich. Her 4th Violin Concerto NYx: Fractured Dreams” was commissioned and premiered by the New York Philharmonic with Alan Gilbert and Leoni- das Kavakos, and the Vienna Radio Symphony Orchestra premiered her symphonic poem Eve’s Lament with Marin Alsop.
Washington D.C.’s National Symphony premiered her 4th Symphony “Arctica” with Auerbach as piano soloist – a work commissioned by National Geographic Society alongside orchestras of the Arctic countries. Recent season highlights included WienModern’s 3.5-hour production of Demons & Angels with Auerbach as the conductor. Her large-scale theater works have been produced in major venues on every continent, including Vienna’s Theater an der Wien, New York’s Lincoln Center, the Hamburg State Opera, the War Memorial Opera House in San Francisco, the Royal Danish Theater, the Nurem- berg State Theater, the Finnish National Theater, Moscow’s Stanislav- sky, the National Centre for the Performing Arts in Beijing China and the NHK Hall in Tokyo. Auerbach’s works for orchestra are performed by the world’s leading conductors, including Christoph Eschenbach, Alan Gilbert, Vladimir Fedoseyev, Neeme Järvi, Vladimir Jurowski, Charles Dutoit, Andris Nelsons, Osmo Vänskä, Hannu Lintu, and Marin Alsop, to mention only a few. Orchestral collaborations include the New York Philharmonic, Philadelphia Orchestra, National Symphony, Oslo Philharmonic, Munich’s Bayerisches Staatsorchester, Staatska- pelle Dresden, and Vienna’s ORF Radio-Symphonieorchester, among many others. Her performances and mu- sic are featured in the world’s leading stages – from Vienna’s Musikv- erein and London’s Royal Albert Hall to New York’s Carnegie Hall and Washington D.C.’s Kennedy Center.Īuerbach’s exquisitely crafted, emotional, and boldly imaginative mu- sic reached to global audiences. All of her work is interconnected as part of a cohesive and comprehensive artistic worldview.īorn in the Russian city of Chelyabinsk in the Ural Mountains at the gateway of Siberia, Lera Auerbach has become one of today’s most sought after and exciting creative voices. She is also a published poet and an exhibited visual artist. A renaissance artist for modern times, Lera Auerbach is a widely recognized conductor, pianist, and composer.